this is the debut release from london duo dark circles who first emerged on the scene with their remix of future four s into orbit ( future four - into orbit (dark circles remix) ph23rmx ) getting play from the likes of andy weatherall, gerd jansen and krystal klear. the 3 track ep has already featured on erol alkan s first ever boiler room set, george fitzgerald s bbc radio 1 residency, and the justin robertson mixmag live show. here s your chance to sample the ep before a forthcoming limited vinyl run and the start of the duo s own dctrax label.

great debut release and new label from a rubadub shop regular featuring tracks from shop regulars. tip. this first release is made up of 3 tracks from my friends and 1 from myself. there’s no concept here other than putting out music that was otherwise not going to see the light of day. the first track is by bleaker who put out a 12inch on unknown to the unknown last year, the second by miz aka big miz whos been putting out music on dixon avenue basement jams, the third by the burrell connection who has a release on west end communications and a track on a craig knows released compilation and the last track is from myself which got a play on big mizs boiler room set. these tracks were all sent to me around the same time and it felt right to make a place for them on a record. bleaker, miz and the burrell connection have all been making waves in scotland and beyond and these 3 tracks are proof that the attention is warranted. and i dont think my track is too bad either.

ruff stuff return to their ruff stuff music ltd imprint dropping a new set of heavy house gems. always moving on the boundaries between house and techno with a raw attitude, the four tracks are absolute dance floor killers. vinyl only, limited copies.

following his nagan belter and fresh from his recent appearance on the boiler room, cain returns to india with two superb rhythmic releases on highlife. early support from ben ufo, optimo, midland, pearson sound, studio barnhus, honey soundsystem, cowboy rhythmbox, etc.

nun erscheint nun das selbstbetitelte debütalbum von blackhill transmitter, dem seitenprojekt von brian dougans und gary cobain (future sound of london). auf den 15 tracks vermengt das duo krautrock mit grobkörniger synthese und klingt eine 70er-four tet-version. schwarzes 180g vinyl.

after his manifold debut in 2009, followed by a second album true life / in flames with focus on the grand piano, dial records is pleased to announce christian naujoks s third solo album wave, a dedication to one of the artists essential instruments: the electric guitar.

for the second installment in their 12” series music from memory present two deeply forward thinking electronic tracks from british musician michal turtle made between 1983-4. the first track ‘are you psychic?’ is taken from turtle’s obscure ‘music from the living room’ album which michal recorded literally in the living room of his family’s south london house at the young age of 22.

classic release , original released in 1995

special off-season offer for steve bug’s project * loop hotel* - two records for the price of one. come and spend a night at the loop hotel!

nightime drama is proud to present a 3 track ep from yoshihiro arikawa, featuring a remix by aubrey. the tokyo based producer yoshihiro arikawa is known for a compound of minimal and 90 s ghetto house, releasing a series of critically heralded eps on logistic in france, kb and his own label kodaira tracks under his alias d kawa between 2003 and 2009. after a short hiatus, arikawa restarted the activities under his real name and has revealed a new aspect of his music on a number of releases from international labels such as affin, hypnotic room, labyrinth, m_grey, toffler sound and swap. his first release on nightime drama comes with a remix from aubrey who is no stranger to any techno lover’s ears. with over 25 years in the industry, he has been involved with some of the biggest names in the business and brings a funky energetic remix to the release.

the next release on lag is from bay area to berlin transplant jamaica suk. the kontort ep (lag006) is another 3 cut record with all original music. the title track kontort is a composition with the big room in mind with thunderous kicks and bass with intricate panning and dub inflections. holographic is a another big room techno workout with a deliciously infectious piano line which allows the producers personality to shine through. depth between waves is a dub techno roller. this track shows restraint till the break then re-emerges with a synth sound that pushes the groove forward in a simple yet undeniable manner.

* subtext presents new work by the istanbul based artist and musician cevdet erek in extracts from his soundtrack to the turkish crime thriller frenzy, winner of the special jury prize at the 2015 venice film festival. * these two compositions shed light on erek s diverse sonic background, both as a member of the seminal band nekropsi and as a celebrated conceptual artist presenting sound and installation works internationally such as his room of rhythms, which has been shown at documenta, as well as the istanbul and sydney biennials. * the first track presents a tense and driving percussive wall of sound that mirrors frenzy s dramatic storyline set against a backdrop of political violence in istanbul. accompanying this is a textural recording exploring aspects of warped time and shifting geometry that references the films disturbing subtext of social paranoia.

king ghazi is shadi khries and gilbert cohen. recorded in amman / may 2014. all the music presented here is original, and has been recorded in jordan in may 2014. this project was born when i met shadi in paris, at the percussion recording sessions for acid arab. from these sessions came the idea of&#8203,,,,,exploring local music styles on the verge of disappearing, in jordan and elsewhere in the middle east. it was also an opportunity for me to meet exceptional people and wonderful artists. for 15 days, we travelled through jordan, recording local musicians. here we hear osama al khairat aka abu sayah, an exiled syrian musician who plays the yarghoul (two flutes linked together by beeswax. one plays a drone, the other the corresponding range, all while blowing continuously). i want to specially thank shermine sawalha for allowing us to record in the living room of her parents house, as well as for coordinating the whole project. without her energy and patience, this record would not be in your hands today.

previously half of pseudo-kitsch acid-electro force light year, and now gone solo, mikey melas aka jensen interceptor joins the binary cataloguing cpu with a perfectly formed electro cut. any artist who samples ghost in the shell, arguably one of the greatest anime films of all time, are all right by us. mikey does so to great effect on the big beat / trip hop tempo model 2029 , which sits alongside three unrelenting electro bass bin destroyers. mactavis being the toughest cut, utilising a fierce driving 808 with a robotic bassline interjecting throughout. electro is often overlooked for the club but it s obvious this e.p. was designed from the ground up to smash a big room. jensen interceptor m e.p. limited edition (300 copies worldwide) 12inch vinyl in shrink-wrapped printed sleeve with paper inner. includes microbial, minor arc, mactavis and model 2029.

ok, this is a new record by red stars over tokyo: one that feels like a transition to a new phase. if it finds you, i hope you like it. maybe i ll make another record in another two years, maybe i ll catch some glimmer of sunlight, somewhere.

cyclo is relaunching with an absolute classic track from its extensive back catalogue. produced by derrick carter & chris nazuka the chicago house classic rednail kidz -do my thing- was an underground smash when it was first released at the end of the 90 s. clubs nights such as space at bar rhumba rocked hard to the incessant groove of this track. we have included a remastered original with 3 remixes: the nacho marco remix takes -do my thing- into big room territory. nacho works closely with roland and on this remix you can witness big 303 lines and huge bass that will rock most discerning floors. hallo halo (jon dasilva & jonas nilsson) remix the track superbly and add their trademark warm tech sound. mystic bill creates a stunning, deep, chicago inspired, sonic journey of a remix where less is, most certainly, more. we hope you will enjoy these tracks as much as we are!

after a two year hiatus graded is back with label founder midland at the controls and its been worth the wait. graded003 picks up where midlands 2013 drumtrak left off, left of centre club music for warehouses and basements alike. the a-side blush first aired during a particularly warm boiler room recording in milan last summer. it turned heads on the night and has garnered endless id requests on the recording ever since. stuttering rolling percussion and a synth line as bold as it is unusual make this one a very strong club tool. on the b-side outpost and holdup take a deeper turn, rich in suspense and expertly programmed drums, theyre unmistakably midland productions drawn from the more obscure corners of his sound pallet.

correspondant mainstay, man power, returns with his first artist ep for the label since his debut, the kiloton ep back in 2014.additionally, the last year has seen the artist dj around the world, release original material and remixes for numerous labels, and was capped by his being named as one of xlr8rs best new artists of 2015. the planet cock ep represents some of man power s most dance-floor directed work to date, veering from the arpeggiated big room techno-funk of stunt cock, to the stuttering analogue stomping of the temple, and rounded off by some breaked-up-neo-electro-with-a-middle-eastern-twist

bielefelds felix fleer, jonas landwehr & tizian assmann mit ihrem ersten v/ a release . atmospheric, uplifting big room techno anthems & crafty excursions into bass/breakbeat-heavy, 1990s school banging techno.

since their first album in 2009, django django have covered some distance. indeed, their first album has been acclaimed by critics and sold more than 250 000 units worldwide. after their international tour and a fantastic 2nd album released last year, we are glad to be able to hear them again through a bunch of clever remixes, in which you’ll have the chance to hear tim burgess’ (the charlatans) brilliant contribution to this limited edition ep.

following on from their hard hitting previous release quarantine , east london s phil passera & chieka ononye deliver their 4th release as payfone on new york s golf channel recordings. a side catholic central emerges from a dark street corner to bloom into a moody synth and bass heavy rhythm, before colliding with a disco riff that could have easily been borrowed from the master tapes of late 1970 s atlanta outfit brick. featuring the vocal style of argentinian pia gonzalez antar, who in confession recalls the dark dynamic of a relationship with a previous lover many years her senior. the room shaking b side comes courtesy of d marc cantu s haze mix that delivers a pounding late night electronic soul voyage. cantu has been releasing genre defying records since the late 2000 s, and performs as one third of jakbeat super group x2 alongside traxx & jtc.  golf channel every time !

1 sided + large gravure on other side. love on the rocks is very excited to present sharif laffrey’s key jam (a.c.i.d.). his first release since the sleeper hit turn it up was released on discos capablanca over two years ago. key jam (a.c.i.d.) is the treasure + the mystery. laffrey’s signature raw edit style is in full effect on this 9-minute proto-dance heater. sharif laffrey has been playing records and making music for 20 long hard years. born in detroit, michigan - he’s worked on the line checking camshafts for chryslers & at submerge for mike banks - at the same time. he toured asia with juan atkins and once had to chase a grown man through the streets at night, who had crawled into his living room through a open window. an active member in detroit’s early rave scene, sharif remembers booking all foreign gigs with a fax machine - and would still do it that way, if anybody else had them anymore. he drove a black trans-am from 1990 to 1995. acid, tons of random stuff, tough, sexy, lovely, slow. freak mode. he is dealing with the fame. more to come.

after a few months out of the vynil circuit elevate is proud to present the first of many va vinyls first off we have the monster remix of pig&dan s lizard king by the prolific julian jewell supported by plastic man richie hawtin and a dance floor weapon played by pig&dan in most of their sets belle is a dark trip into oblivion with a massive baseline that keeps chugging on till it breaks into a devilish distorted synth baseline that shocks but enchants the listener. next we have hantrace with its beautiful deep stab but pumping baseline the perfect main room track for late night produced by up and coming producer uakoz last but not least we jspr s redemption the complete techno track with a powerful motif that progresses as you inmerse yourself into this beautiful voyage that evolves keeping the audience focused and in a trance. we ve very carefully selected these tracks from various releases to make each track of this vynil mean something, enjoy :)

the german saying *ist der ruf erst ruiniert, lebt man voellig ungeniert.*, meaning once your reputation is ruined, your life gets easy, sums up a lot about furfriend s artistic doing. *freedom of filth* lives tightly along those lines and throws its full force of lushness at you, growing into an empowering industrial monster that makes you want you to rip all clothes off your body. if jfk did it, so can you. if big room sound is too much for you and you miss the simplicity and pervy voice of dingo tush that made the duo famous, you will wanna follow their instructions for self appreciation and have a listen to *touch myself*, a trainlike fuckfest for the dancefloor. make sure to bring some lube! following is a short live recording from the *fuck olympics* ... we are just going to leave this uncommented here.
pressing on yellow translucent vinyl.

support from: a:rpia:r, barac, cezar, livio & roby, nu zau, priku, vid, sepp, wareika, etc. part two of >dene descris<, which means >indescribable<, is indeed better listened than described, as each composition allows the listener to write their own story in the space ada kaleh creates. >dene descris< part two reaffirms ada kalehs incredible mastery and knowledge when it comes to production and his desire to go all the way with an idea - from titles to artwork, everything is well thought and connected, but always leaving room for the listener to feel their own worlds through his music.

news von der 80ies kultband indoor life. compost veröffentlichte 2012 den gesamten indoor life-katalog als doppel-cd, und hier kommt nun ein abgefahrenes, krautiges remix-package. die remixe stammen vom angesagten berliner dj- und produzenten-duo discodromo, die mit ihren cocktail d’amore-parties, zusammen mit berghain-resident dj boris, für derbe furore sorgen. 2014 lieferten sie auch ein fantastisches boiler room set ab. sie veröffentlichten bereits auf prins thomas’ internasjonal, bpitch control, dissident und natürlich auf ihrem eigenen cocktail d’amore music label.

repress alert, 180gr white vinyl pressing, 500 copies
only 1 per customer !! mosaic s journey into main room techno continues with three trax from one of the finest exponents of uncompromising hypnotic techno, markus suckut. it has been said that his reduced and minimal sound is designed for heavyweight soundsystems and heavyweight dj s and we wouldn t disagree.. slowly evolving rhythmic and melodic patterns with sub heavy kicks and bass tones are the order of the day: these three cuts beg to be played loud!

luxuriöse vinylauflage des clint mansell soundtracks zum prämierten psychothriller “black swan” des regisseurs darren aronofsky von 2010. basierend auf tschaikovskys “schwanensee”, dekonstruiert mansell das original zu einem modernen score für eine schräge märchengeschichte. schwarzes 180g doppel-vinyl im schicken gatefold, auf 45 umdrehungen pro minute geschnitten für ein besseres hörerlebnis. im original-soundtrack-cover inklusive eines neuen interviews mit dem komponisten.

ltd warehouse found! played by raresh and steffi! vinyl only.. after collecting good feedback from rick wilhite, marcellus pittman and others to the “flying with you” ep, sai finally delivers a new 4 track release named “goes into space”. a fine techno record that will expose his music to wider audience. sai has been sculpting a distinctive sound through a number of quality releases and reaches now to maybe his most accomplished work. deep hypnotic and highly infectious this is a timeless piece of vinyl. * goes into space ep* is japans cutting edge answer to the global electronic music scene.

continuing to refine the special marriage of smooth grooves and fat beats that has so quickly come to define them, dewalta & shannon have delivered eight distinct peeks into an electrifying creative process that run the gamut from deep and moody to minimal or, dare we say, jazzy. split into two vinyl releases and a third, comprehensive digital drop, residual appears first as a playful introduction to the lay of the land, complete with a mean-ass modular monster aptly named jugular dub that could belong to no one else but these two. the second installment brings us the old-school banger begging for a big room, miss wrench, followed by a deconstructed jam session on the moon and rounded out by the sonar-bleeping duality.
the 180 gram vinyl comes in deluxe printed colour sleeves.

brought to you by the berlin-based power duo known as dewalta & shannon, this one’s coming at you in three parts: a very special puzzle we’re excited to be putting together. continuing to refine the special marriage of smooth grooves and fat beats that has so quickly come to define them, dewalta & shannon have delivered eight distinct peeks into an electrifying creative process that run the gamut from deep and moody to minimal or, dare we say, jazzy. split into two vinyl releases and a third, comprehensive digital drop, residual appears first as a playful introduction to the lay of the land, complete with a mean-ass modular monster aptly named jugular dub that could belong to no one else but these two. the second installment brings us the old-school banger begging for a big room, miss wrench, followed by a deconstructed jam session on the moon and rounded out by the sonar-bleeping duality.
the 180 gram vinyl comes in deluxe printed colour sleeves.

decisions is proud to announce its second release: empty gallery ep by waterhouse, a melbourne based producer, dj and vocalist. the ep spans 3 years of waterhouse productions (2013-2015), charting a sonic emergence suffused with spatial, textural and emotional complexity. the ep opens with ‘breathless’, a heady rush of ambience, shimmering cymbals and field recorded textures. ‘a little sheep’ follows, progressively immersing the listener in accumulating layers of vocal melodies. on ‘3415’ rapturous choral textures encircle delayed claps and a reverb-drenched kick drum to form the most urgently rhythmic cut on the record. side a ends with title track ‘empty gallery’, in which an intricate constellation of strings, pads, rumbling sub frequencies and brusquely dry percussion meet lyrics confronting life after loss.

israeli-born berlin based producer and dj omer debuts his first release on cocktail d amore with two offerings of celestial house. the title cut blends the sounds of the east with an immediately seductive atmosphere of bright melodies leaving the listener plenty of room to be transfixed through it s entirety. -dust- dives deeper to reveal a more melancholic mood built on a symphony of lush pads and swirling metallic percussion. on remix duties are the wonderfully quirky estonian duo ajukaja & andrevski who deliver an oddball re-imagining which sends the original into outer space as it gently builds to sparkling fervor only heard on the outskirts of galaxies. rounding out the release is man power with an acid tinged burner which explodes into en excitement of live percussion and pads leaving any dance floor in complete ecstasy.

label heads collabo

len faki delivers the big room techno while rod strips it down and keeps it simple and deep

since setting the tone at born electrics boiler room take over and releasing a widely acclaimed debut release on born electric, pedram s production has found its musical feet in unique ground, which his second ep on born electric firmly cements. the ep opens up with lex. a track which personifies what is gradually becoming pedram s signature sound, ethereal soundscapes, full bodied arpeggiated synths, off-kilter drum rhythms and full of electronic emotion

ian blevins is the keeper of the jewel in the crown. this is his second offering for the esp institute. picking up right where we left off, side a unleashes another explosive big room belter with resume a driving rhythmic monster that takes advantage of the whips and cracks in ian’s drum machine arsenal, while warm chords lay a foundation for a quirky lead melody and rubbery pulse to dance upon. akin to hannibal, blevins esp institute debut in 2015, the arrangement here toys with us before revealing the true guts of the track—this time characterized halfway through by a punctuating gangster piano hook. on side b, poor old head utilizes ian’s signature drum styling we’ve come to adore, but here he establishes swells of melancholy via bending notes that meow and purr, beautifully ebbing and flowing though an array of incongruous dial tones and bells—shakey and barely out of sync, yet cradling a loosely drawn chord progression. these two songs will smack you up before they rub you down.

superconcious present a further evolution for melbourne producer andras. looney house recorded with diy immediacy, this fresh 5 tracker takes subtle cues from cajmere, pal joey and lesser known 90s australian cuts culled from the 3rrr fm library. t.n.t.f. was the fastest track andrás had even written until revving the pajero offroad and clocking 138 bpm on always pumping. on the two mixes of gold coast, he finds heaven in a tourist hell, making hotel room acid before hitting the balcony for some cool breakbeat over a bacardi and coke. the absurdity continues with the horny australiana disco of soy boy, rounding off a welcome return to his inimitable solo work.

taking chris munoz s (aka the sexicans) take on sometimes from the forthcoming spike remix lp orange cloud version as its starting point, golf channel favourite justin van der volgen shunts this bad boy that little bit further through the doors of the club, puts something on its tongue and kicks it into the big room.beefy drums, a stoopid fresh bass line, big vocals and a tough, explosive, rocky guitar riff ensure this one has anthem written all over it.flip over for 4 more unheard spike gems, little lost nuggets that didn t find their way on to the much loved lp orange cloud nine but need to be heard: you can do it is much in demand already amongst those that know, and the closing cut careful is a fragile beauty.

philadelphia’s fox brings an eclectic array of sounds and artists together for his first vinyl release on jersey city based label green village. their third vinyl release showcases tracks with slanted percussion and multiple flavors of techno and breaks. the accompanying remixes from fabricator and undrig bring you a taste of 2step as well as a classic big room dubstep sounds.

all three original tracks are long building, big room, grooving stompers with a lot of emotions that would fit in various sets pretty much at any time. to keep things entirely d footed, the legend, the man of weird, beautiful, unique and reduced techno world - terrence dixon rounds things up with his hypnotic re-interpretation of title track.

the second issue of tiptop audio records attests to the labels attitude towards developing a nuanced sound set to become a standard for production.?the line-up for tiptop records includes big names of a scene now described as modular techno, which consists of a fast growing group of artists interested in expanding their compositional techniques through modular synthesizer systems. the vinyl format is a testimony to the labels dedication to produce music in a physical form. the result is a?four side, double lp packaged in original artwork (including a special poster) by italian artist matteo giampaglia, with handmade lettering by caterina scardillo. it is an invitation to a territory of oscillations, and?a trip of 10 (+ 2 extra digital) tracks that reconsiders the concept of sound design applied to electronic club music

hidden truth is an open window to the occult knowlegde, an initiation into the hermetic wisdom. jonas kopp delves into his characteristic sound. direct, mental and mechanic in equal parts, the fifth release of this series comes full of classic and atemporal techno structures.

our dance floor shattering collection returns once again as trash the wax 3 lands & leaves a trail of raised hands along the way.

valioso013 comes this time from our beloved italian friend, mattia lapucci, his mixing skills are likewise his productions, just absolutely incredible. minimal in his perfection with classy drums, trippy percussions and synths are involving through the whole room when you hear the bonaffucci ep, but not only the originals are made of high quality sounds, regarding to the remixers section with vera, famous for her appearance at perlon, comes out with a very special remix as well as piticu, the outstanding talent from bukarest shows up with a drivy, romanian high class eat.

januarys about as much fun as a brick through your living room window. unless you come from a land down under this month has all the charm of an ingrown toenail. after big bad decembers member pumps you dry youve got hee haw to look forward to until spring. well, cheer up you lucky spuds, those kind souls at dabj have a sweet 2016 treat for ya. four ballers on a debut smash that’ll hit you like a freighter from the perpetrator, the crown wearing calculator – casio royale.

for their first ep, palma deliver a mixture of fast and melodic techno. composed in the heat of the summer and the moistness of a tiny room transformed into a studio, the three musicians handle drum machines, sound modules and effects to re-interprate 3 tracks from their previous live set. the a side is minimal and discrete, while providing with a strong theme. on the b side, palma show a more powerful angle to their music with heavy stabs, acid basslines and pounding drums. here is the first 12- of a series focusing on jams and live sessions